Category: Overcoming Fear

How To Live Without Regrets Cover

How To Live Without Regrets

Nik

If you could vanish from society and start a new life, what would you do?

At 83 million viewers in the first month, 6 Underground is Netflix’ 4th most popular release of all time — and it asks us this very question.

Directed by Michael Bay, the movie sees six self-appointed action heroes toppling a cruel dictator in the fictional country of Turgistan. Led by a nameless billionaire, played by Ryan Reynolds, they do so in Bay-typical fashion: with lots of guns, cars, one-liners, and explosions.

Despite its over-the-top action and straightforward plot, there’s a deeper meaning behind the films flashy facade: It’s a movie about what it means to live your one life right.

To carry out their operation without getting nabbed at the first airport, the team must first fake their own deaths. Sitting in a diner, they muse over the benefits: No more DMV lines, Christmas shopping, or work email addresses. No more taxes, criminal records, or getting arrested for being drunk.

Having already faked his death in a plane crash, Reynolds’ character then schools them all: “You’ve got it all wrong, you know. When you’re young, you lock yourself into all these bad decisions. Marriages, mortgages, all that kind of stuff. But you die, it’s all erased. Poof! Gone.”

And then, casually inserting a profound insight into a charming yet obscene rant like only Ryan Reynolds can, he delivers the punchline:

“The best thing about being dead is the freedom. From that point forward, all that matters is what you choose.”

You’re not a sniper, stunt driver, or parkour virtuoso. No genius billionaire will recruit you for his spy unit. Your bad decisions will never be erased. If you let them pile up, they’ll keep piling up, and each day, the mountain of regret will grow a little taller.

Regret is saying, “I’m not ready to launch my startup,” and then hoping one friend agrees. Regret is backing out of the tournament at the last second and then finding you can’t laugh it off. Regret is missing your son’s first table tennis game and then realizing there’ll be no more firsthand firsts the day he moves out.

Regret is everything that you could, would, and should have done, were it not for [insert reasonable but invalid excuse].

I have many regrets. Do you? The weight of that mountain won’t go away.

It never feels like it in the moment. This decision? Nah. We couldn’t heap rocks onto Mount Everest! But we do. We do every day.

A tiny hill of sand — that’s how it starts. “Wow! It’s so light, this decision. What’s a little more sand?” Time feels good when it runs through your fingers.

Soon enough, one day becomes ten. One year becomes five. Before you know it, you’re shoveling opportunities into the fire — and what feels like air in the moment will later drop like a stone.

A train at full speed wants to keep going. The beast needs coal, and it will devour everything you offer. It won’t crash like a prop car, but the trail of regret it leaves behind? That can stack to the skies. In the end, you’ll only cower in its wake.

A clear slate is a fantasy. You don’t have the means to fake your own death. No dynamite to blow up the mountain.

What you do have, however, is the freedom to choose. It’s something you’ve always had, always will have, and what you choose is all that matters.

That’s the true lesson of the movie: Forget the rules! You don’t need to erase your past to take charge of your future.

The only way to live without regret is to realize you’re already free. You have one life and one life alone, and in that fact, you’ll find all the freedom you need.

The freedom to start before you feel ready. The freedom to try something new. The freedom to show up when you decide it counts.

Stop piling up regrets. Start living! Don’t wait for a chance to start over. Don’t wait for critics to change their minds. We all make mistakes — but we can decide to not let them define us.

What you choose is all that matters. Choose what matters every day.

If You Can’t Beat the Fear, Just Do It Scared Cover

If You Can’t Beat the Fear, Just Do It Scared

Nik

Glennon Doyle knows what fear is. The fear of eating, fear of drinking, and fear of speaking. The fear of saying what she wants, changing her mind, and admitting her marriage isn’t working.

Doyle struggled with bulimia, alcoholism, and other addictions. Her ex-husband was unfaithful. How should she raise their three daughters? How could she explain she now loved a woman?

More so than most people, Doyle needed her own advice: “If you can’t beat the fear, just do it scared.”

I hope your fear won’t come with as much trauma as Doyle had to go through, but I do know this: Today, fear rarely tell us what’s dangerous — it tells us what matters. If you follow the fear, you’ll find the growth. In fact, it’s one of few things reliably pointing in the right direction.

The scariest thing for a blogger is to write a novel. The scariest thing for a developer is to quit her job in hopes of better. A month-long solo trip for a busy stay-at-home dad? Blasphemy! And yet, they’re all steps towards our true north.

When you feel the fear, can you lean forward? At least don’t run away. It’s the better of our usual two options — to escape or wait until the dread fades. While you’re waiting, consider the fear won’t dissolve. Why won’t it subside? Well, how could it? It’s here to show you the way.

Whenever you’re ready, fear will lend you a hand. Oh, it’s coming. You bet. Ain’t no solo seats on this ride. Once you accept that part, you can let fear do its job. Make it your guide instead of your game over.

Welcome the skepticism. Cherish it. Use doubt to keep your head on straight. And always keep growing towards the scary bright light.

The Japanese Art of Kintsugi: How to Practice Self-Improvement Without Judging Yourself Cover

The Japanese Art of Kintsugi: How to Practice Self-Improvement Without Judging Yourself

Nik

I still remember the commercials: “Clearasil Ultra Face Wash — and in three days, they’re gone!” “They” are the pimples, of course.

Each ad played out the same way: A teenage boy hides from his crush because he has acne. His friend reminds him of the party in three days. “You can’t go with that face!” The boy uses Clearasil, shows up, and gets to kiss the girl.

As someone who suffered three long years of intense acne in high school, those ads hit me right in the feels — first with hope, then with misery. After I tried the product and it didn’t work, Clearasil continued to erode my self-worth in 30-second increments by reaffirming a false belief I held about myself: As long as I have acne, girls won’t be interested in me, so there’s no point in even trying.

Every year, millions of teenagers share this experience, and it reveals a pattern deeply ingrained in Western culture: Find a flaw, worry about it, try a quick fix, and if it doesn’t work, go back to worrying. Repeat this cycle until some magic pill works or you find an even bigger inadequacy. While this may lead to some improvement, in the long run, it inevitably leads to self-loathing.

You wouldn’t think a pimple commercial reveals so much about a nation’s culture, but if you watch a few Japanese skincare ads for reference, you’ll see — because unlike Clearasil, they do clear things up.

The Japanese Perceive Problems Differently

The first thing you’ll notice about Japanese beauty commercials is that they’re not directed at teenagers. There’s no Justin Bieber claiming zits are intolerable, no before-and-after pictures, and no shrill voice prompting you to “get acne out of your life.”

All you’ll see is adults going about their day, feeling good because — and this is the part the commercials focus on — every day, they practice their skincare routine. Pimples aren’t presented as a flaw to be overcome, just a part of everyday life. “If you consistently take care of your skin, acne might still happen, but it won’t have enough power over you to ruin your day.” That seems to be the message.

This is radically different from how we approach obstacles in the West, and it’s no coincidence. The Japanese perceive problems differently. They don’t view them as stumbling blocks to be eliminated. Instead, they see them as stepping stones on a never-ending journey. They empathize with problems.

The Japanese cultivate this worldview at an early age, thanks not just to their commercials but also their teachers.

“He did it!”

Jim Stigler is a psychology professor at UCLA. He once observed a fourth-grade math class in Japan. Surprisingly, the teacher called the worst student, not the best, to the board. The task was to draw a three-dimensional cube.

Every few minutes, the teacher would ask the rest of the class whether the kid had gotten it right, and the class would look up from their work and shake their heads no. At the end of the class, he did make his cube look right! And the teacher said, ‘How does that look, class?’ And they all said, ‘He did it!’ And they broke into applause. The kid smiled a huge smile and sat down, clearly proud of himself.

Imagine this scene in a Western classroom. Based on 13 years of going to school in Germany, I can tell you: It would not have gone this way.

Usually, if a student is called out and doesn’t immediately get it right, they are branded as stupid — if not by the teacher, then at least by the other students. They’ll return to their desk with their head lowered in shame and, instead of discovering the solution, go back to worrying about their pimples.

In Japan, mistakes are seen as valuable. There’s not just something to learn, there’s something to learn for everyone. Instead of being left behind, people who struggle are pulled into the light. Solving the problem becomes a joint effort, and if the student succeeds, everyone wins.

You might say, to the Japanese, mistakes are worth their weight in gold — sometimes literally.

Kintsugi: Don’t Fix — Integrate

Kintsugi is an old Japanese art. It is the craft of repairing broken pottery using seams of gold. Instead of trying to hide the object’s cracks, it accentuates them. The message is simple but meaningful: Our trials and flaws are not scars on our character — they are the very fabric that makes us human. Each obstacle, each mistake becomes a building block of a better tomorrow, thus making us a little more unique and beautiful.

In the West, we tend to throw things away when they break. Each year, millions of perfectly usable products end up in landfills. To some extent, we do the same with people. This is sad but unsurprising, given the perpetual message in our education and media: If you struggle in even the slightest, you’re not good enough. You can buy some Spanx, muscle supplements, or an online course to fix it, but until you have, don’t bother, and definitely don’t bother others with your problem.

But what if our mistakes are just for learning? What if our flaws aren’t flaws at all — just puzzle pieces that make us different and, thus, lovable?

There’s a difference between fixing and integrating: One is done to compensate, the other to move forward. When we obsess over correcting our flaws, we may succeed, but we’ll never feel content. It takes a general appreciation of life’s transience to focus on learning, accept what we can’t change, and even see beauty in our little imperfections.

The Japanese call this appreciation “mono no aware” — an empathy toward things, a sense of impermanence. Mono no aware is at the heart of kintsugi, and it can make the difference between a laid-back, joyful pursuit of growth and a never-ending spiral of self-flagellation — just like a golden thread can make a repaired plate look more beautiful than it was before it broke.

Summary

From your skin to your mind to your bank account: A desire to improve your life is a wonderful thing. It’s less wonderful if that desire leaves a constant taste of “I’m not good enough” in your mouth.

Not always but often, Western self-help wants you to feel self-conscious. The industry points out your problems, twists the knife, and then happily sells you a plethora of quick fixes to combat them. Whether they work or not, in the long run, this will damage your self-image.

While it’s good to confront our problems head-on, the Japanese aim to do so without negative connotation. They stress consistency and effort in their marketing, parenting, and education. Mistakes are a valuable source of learning for everyone, and our flaws are not just not so bad, they make us unique and beautiful.

The next time you spot a pimple or give the wrong answer, remember the art of kintsugi: Don’t fix. Integrate. As long as you make them steps to something bigger, not a single one of your obstacles will go to waste.

Hit Rock Bottom? Don't Waste It

Don’t Waste Your Rock Bottom

Nik

On August 1st, 1976, Formula One racing legend Niki Lauda crashed at the Nürburgring. In an instant, his car burst into flames, his helm flew off, and he was trapped in the wreckage.

Other drivers were able to pull him from the car, but because of the burns he suffered and toxic fumes he inhaled, he fell into a coma. A priest showed up to perform his last rites but, luckily, Niki survived.

When he woke up, he was in pain. He had lost half his right ear, and his face would never be the same. Just shy of a miracle, Niki recovered in six weeks — and got back into his car. He missed a mere two races of the season, and yet, to add insult to injury, he lost the title of world champion to his arch nemesis, James Hunt, by one point.

Imagine how that must have felt — to nearly die and then come back — and lose by one point. For Niki Lauda, this was it: rock bottom. He had been destroyed physically and psychologically. What did Niki do?

On the first day of the next season, he showed up for practice. He drove. He studied. Niki tweaked his car. And by the end of the 1977 season, he became world champion.

The universe works in mysterious ways. Common sense will tell you: Wow, here’s a guy who succeeded despite his setbacks. Here’s an interesting question: What if he succeeded because of them?

It’s nearly impossible to see it when you’re in the middle of it, but there’s true beauty in hitting rock bottom: It’ll break you into a thousand pieces, but then, you’ll be on solid ground — maybe for the first time.

You won’t need further dampers. There’ll be no more uncertainty. You’ve lost. In fact, you’ve lost so much, you’ve got nothing left to lose — so you might as well start building.

In 2009, after decades of hard work, late night talk show host Conan O’Brien achieved his dream: He took over The Tonight Show from Jay Leno. It took just nine months for the network to fire him. It was a PR disaster of epic proportions. Leno came out of retirement and grabbed the show right back. Can you feel the humiliation?

Two years later, O’Brien gave a commencement speech, in which he said:

“There are few things more liberating in this life than having your worst fear realized.”

After his failure, O’Brien shunned the spotlight. He went on tour, made an album, and filmed a documentary. He claims he never had more fun or conviction in what he was doing. O’Brien used rock bottom to completely reinvent himself. “No specific job or career goal defines me, and it should not define you,” he told the students.

Don’t have such a fixed idea of where your career should go. This is very common in high achievers. Accept your dreams will change. Sometimes, they might have to — and so will you. It’s great to shoot for the stars, but you can’t let your identity drift through space when you miss.

You know who else hit rock bottom? A woman who, in her 2008 Harvard commencement address, said:

“Failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was and began to direct all my energy to finishing the only work that mattered to me.

Had I really succeeded at anything else, I might never have found the determination to succeed in the one area where I truly belonged. I was set free because my greatest fear had been realized, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea.

And so rock bottom became a solid foundation on which I rebuilt my life.”

In 1994, J. K. Rowling was broke, divorced, a single mom, living on welfare, and had just filed a restraining order against her ex-husband. She was the biggest failure she knew.

Whether it was despite or because of everything that had happened, she decided to turn rock bottom into fertile ground. She watered it, sowed some seeds, and slowly built new footing to start from. A “solid foundation,” as she called it. After all, rock bottom is made of rocks.

Rowling put all her energy into the one thing she cared about beyond her daughter: the Harry Potter books. Eventually, she didn’t just find greener pastures; she became the first billionaire author in history. All because she accepted rock bottom.

So here you are. Another weekend sacrificed at the altar of alcohol. Another afternoon wasted in front of the screen. Maybe, you’re embarrassed to tell your children you can’t afford a nicer place. Maybe, you feel ashamed you’re late on paying back a friend.

Whatever your big failure that stings right now, in the long run, it will set you free. Once you’ve given up your expectations of yourself and the ones others put on you, you’ll finally be able to genuinely try new things. No more fake attempts. Truly break with convention, and create a new self-image.

You can’t envision it right now, but the next iteration of you is the exact person you need to be to reach new heights.

No matter how harsh your rock bottom feels, don’t punch it until your fists bleed. See it for what it is: Rough terrain, sure, but one that won’t give way beneath your feet. Don’t waste your rock bottom. Let it be the foundation of something new; the start of better.

Be grateful you’ve arrived, and then start climbing.

Don't Wait Cover

Don’t Wait

Nik

If you want to learn the piano, press one key today.

If you want to write a book, write one paragraph today.

If you want a better relationship, make one confession today.

Whatever you do, don’t wait. Don’t wait for tomorrow. Not again. Not now. It’s time. Take the gloves off. This is it. One life, one time. No do overs. Don’t wait.

If you want a new job, learn one new thing today.

If you want a big money cushion, save $1 today.

If you want to feel inspired, study one inspiring person today.

Objects can’t move without momentum. You have to be in motion to stay in motion. It doesn’t matter how small — it only matters that it’s there.

Imperceivable growth now brings exponential growth later. You have to trust the imperceivable. Do the small things first. Do what feels ridiculous. You must crawl before you can run — but you must not wait.

If you want to run a marathon, run for ten minutes today.

If you want to be a chef, make scrambled eggs today.

If you want to teach children, help one child today.

Urgency isn’t coming. No one will kick your butt in gear. Urgency isn’t the postman. It’s not reliable. It won’t show up each day at 3. But if you’re already checking the door, you might as well go for a run. You show up at 3.

You must be the one to bring the urgency. You must understand that life is finite. You have to allow for that to click. And you have to do that today.

If you want to start a business, send one email today.

If you want to make friends, ask one person to have coffee today.

If you want to be a thought leader, post one idea today.

Regret is a sneaky bastard. Always late to the party. When regret shows up, it’s time to go home. Too late already. “Nothing to see here folks, just another human on a trip down misery lane.” Ugh. You again. Regret. Asshole.

If you want to read a book, read one page today.

If you want to paint a mountain, make one stroke today.

If you want to bury the hatchet, call one relative today.

The river of time carries all of us away. Redemption makes for a nice story, but it’s not guaranteed. The only promise you have is today. Don’t wait. Use today.

If you want to find freedom, choose peace of mind today.

If you want to make history, take a stand today.

If you want to be a better human, do one thing differently today.

Whatever you do, don’t wait. Don’t wait for tomorrow. Not again. Don’t wait.

You Don’t Need to Be Great — You Just Have to Be Good Cover

You Don’t Need to Be Great — You Just Have to Be Good

Nik

When he was 12 years old, Stephen King received his first rejection slip in the mail. It was “the only personal response I got over eight years of periodic submissions.”

When he saw the personal note at the bottom, he was thrilled — until he read it: “Don’t staple manuscripts,” it said. Ouch.

Doing what 12-year-olds do, Stephen pounded a nail into the wall above his desk, poked the rejection slip on it, and kept writing. “When you’re still too young to shave, optimism is a perfectly legitimate response to failure.”

By the time he was 14, the nail could no longer support the weight of all the slips, so he replaced it with a spike — and kept writing.

Another two years later, he finally started getting nicer, more encouraging notes on his rejections. “This is good. Not for us, but good. You have talent. Submit again.”

“Those four brief sentences, scribbled by a fountain pen that left big ragged blotches in its wake, brightened the dismal winter of my sixteenth year,” Stephen says.

It would be another ten years — a grand total of 20 since he started writing — before he would catch his big break.

But since that fateful day in 1959, he never stapled a manuscript again.

According to Stephen King, there are four kinds of writers:

  1. Bad writers
  2. Competent writers
  3. Good writers
  4. Geniuses

This pyramid of artistic proficiency comes with good and bad news.

“I approach writing with two theses, both simple. The first is that good writing consists of mastering the fundamentals (vocabulary, grammar, the elements of style).

The second is that while it is impossible to make a competent writer out of a bad writer, and equally impossible to make a great writer out of a good one, it is possible, with lots of hard work, dedication, and timely help, to make a good writer out of a merely competent one.”

You are a competent writer. As such, you hold the potential to be a good one.

If you were a bad writer, you wouldn’t be here. You wouldn’t have any fun writing. You wouldn’t feel drawn to it. Heck, you probably wouldn’t even like reading.

If you were a genius, you definitely wouldn’t be here. You wouldn’t want nor need any advice — and I’d feel pretty stupid for trying to give you any.

No, no, you’re neither of those. I see you. I know who you really are.

You’re a competent writer — but you’re afraid you’ll never make it. You seek reassurance.

I’m an optimistic guy. I love positivity. But I only have so many “there there’s” in my bag each day. So does Stephen, by the way.

“I’ll be as encouraging as possible, because it’s my nature and because I love this job. I want you to love it, too. But if you don’t want to work your ass off, you have no business trying to write well — settle back into competency and be grateful you have even that much to fall back on.”

I mean, what do you expect? The guy wrote for 20 years before getting a check in the mail. Is that really the person you want to complain to? No.

What you actually want from that person is some of that “timely help.” Some advice that’ll help you with all the hard work and dedication. Instead of fretting and asking, “Will everything be okay?” we should say, “Come on! Gimme something! I want to go from competent to good!”

Look, I know it’s scary. Humans are terrified of social isolation. It doesn’t come natural to us to speak up when no one asks us to. What if we get shunned? What if we’re cast out?

But if we take an honest look at our fears around creativity, they seem — mostly — ridiculous. A stranger left a bad comment on your blog post? You published one of six million articles today, and no one read it? Boo hoo.

Rejection comes with the trade. Luckily, today, it doesn’t cost a penny, and it won’t affect your everyday life. If you don’t like your comments, don’t read them. Close your laptop, and go about your day. Turn off your wifi. Write offline. This is not rocket science.

You are a competent writer. With preparation, training, and patience, you can be good.

Shouldn’t that be encouragement enough? 12-year-old Stephen would jump on his bed if he knew. What a relief! What a reason to sing!

You don’t need to be great — you just have to be good.

If that’s not motivating, then I don’t know what is.

It’s Mother’s Day. 1973. The phone rings. Stephen is home alone.

“Are you sitting down?”

“No,” Stephen says. His phone hangs on his wall. He barely could if he tried.

“The paperback rights to Carrie just sold. Four hundred thousand dollars.”

For maybe the first time in his life, Stephen loses his voice. The only thing that allows him to find it again is the idea that this must be a mistake.

“Forty thousand dollars?”

“No, Stephen. Four hundred thousand dollars. $400,000.”

Recounting the tale, Stephen says: “I didn’t fall, exactly, but I kind of whooshed down to a sitting position there in the doorway.” Okay, Stephen. That works. I might do that too.

$400,000. In 1973. That’s about $2.3 million today, in case you’re wondering.

You don’t need to be great — you just have to be good.

It took Stephen King 20 years to be good. But he never lost faith in the next rung on the ladder. He knew he could go from competent to good. And he always trusted that that would be enough.

A few years later, Stephen went through a box of old manuscripts. He found the one he’d sent to the editor who first encouraged him to submit again when he was 16. He rewrote it on a whim and sent it back in.

“This time they bought it. When you’ve had a little success, magazines are a lot less apt to use that phrase, “Not for us.””

You don’t need to be great — you just have to be good.

You’re a competent writer. And your journey is only just beginning.

How to Not Waste Your Life Cover

How To Not Waste Your Life

Nik

If you’ve wasted your whole life, can you make up for it in a single moment?

This is the question at the heart of Extraction, Netflix’s latest blockbuster and, at 90 million viewers in the first month, biggest film premiere ever.

Following Chris Hemsworth as a black market mercenary trying to rescue the kidnapped son of India’s biggest drug lord, the movie is full of car chases, gun fights, and a whopping 183 bodies dropping at the hands of Thor himself.

At the end of the day, however, it is about none of those things. It’s a movie about redemption.

After freeing his target, 15-year-old Ovi, from the hands of a rival Bangladeshi drug lord, Hemsworth’ character Tyler shows true vulnerability in a brief moment of shelter.

When Ovi asks him if he’s always been brave, Tyler claims he’s “just the opposite,” having left his wife and six-year-old son, right before the latter died of lymphoma.

Sharing the kind of wisdom only children tend to possess, Ovi replies with a Paulo Coelho quote he’s read in school:

“You drown not by falling into the river, but by staying submerged in it.”

You’re not an ex-special forces agent. Your life is not a movie. There will be no obvious signs. No excessive violence. No rampant drug abuse.

Just a slow, steady trickle of days, each a little more like the last, each another step away from your dreams — another day submerged in the river.

The river is pressing “Ignore” on the reminder to decline a good-but-not-great project request. The river is saying, “When I’ve done X, I’ll start writing.” The river is postponing asking your daughter about her dance hobby because today, you’re just too tired.

The river is everything that sounds like a temporary excuse today but won’t go away tomorrow.

Trust me. I’ve been there. It really, really won’t. No matter how much you’d like it to.

At first, it doesn’t feel like you’re drifting. You’re just letting go for a bit. You’re floating. The river carries you. It’s nice. Comfortable. Things happen. Time passes. It’ll keep passing.

Eventually, the river leads into a bigger river. You’re in new terrain. You’ve never seen this place before. Where can you get ashore? Where will this river lead?

Soon, you don’t know what’s ahead anymore. You can’t see what’s next. The river could become a waterfall. It might send you right off a cliff. You’ll stay submerged forever.

There won’t be a big shootout at the end. Just a regretful look out the window. A relative visiting. “Oh yeah, that. I never did it. I can’t tell you why.”

All rivers flow into the sea. If you don’t push to the surface, if you don’t start swimming, that’s where you’re going.

No one is coming to save you. You won’t get an extraction. No one will beat you into writing your book or asking her to marry you or being a good mother. No 15-year-old boy will serve you the answer in a quote from a book.

The only way to not waste your life is to do your best to not waste today.

Write a sentence. Make a hard choice. Pick up the phone.

We all fall into the river from time to time. But we can’t stay submerged in it. Don’t let small regrets pile up in silence. Take one step each day. One stroke towards the surface.

You’re not a soldier, and no single brief can save you. No standalone mission will define your legacy.

Don’t hope for a shot at redemption. Redeem yourself with your actions.

Redeem yourself every day.

One Good Sentence Cover

Can You Write One Good Sentence?

Nik

In the early 20th century, the most important man in the world of American literature wasn’t an author. His name was Maxwell Perkins.

Perkins was an editor at Scribner, a publishing house in New York City. In 1919, he signed a young, unknown author, making a big bet on aspiring talent against the will of his seniors at the company. The author he signed was F. Scott Fitzgerald, who would go on to write and publish The Great Gatsby in cooperation with Perkins.

One year after Gatsby, which wouldn’t sell well for the next 15 years, Perkins met and signed another author of questionable status: Ernest Hemingway. After the two books they worked on together — The Sun Also Rises and A Farewell to Arms — found commercial successes, Perkins became the most sought after editor in the country.

The 2016 movie Genius tells the story of Perkins and another prodigious discovery of his: Thomas Wolfe. Wolfe was the son Perkins, who had five daughters, always longed for. He was poetic, passionate, and notoriously incapable of cutting a single word from his flowery prose. In other words, he was a writer through and through.

As an editor, one of Perkins’ main responsibilities was to cut the inessential. He did so for all of his writers but for none more than Wolfe. His first novel, Look Homeward, Angel, went from 294,000 words to 234,000 under Perkins’ guidance — and it sold like hotcakes. Taking the feedback of “write more” a bit too literally, Wolfe turned around and produced another manuscript: The 5,000-page draft for Of Time and the River, which him and Perkins fought over for two years before it finally saw the light of day.

Then, despite the book’s success, a trauma befell Wolfe that catches every writer at some point: Wolfe got writer’s block. For months, he was unable to put pen to paper. Eventually, he took a long, solo trip all the way to California, where, among other things, he visited Fitzgerald. I doubt the scene played out as depicted in the movie, but the advice he gave Wolfe — no doubt inspired by Perkins’ dedication as an editor — is priceless nonetheless:

Thomas Wolfe: “More and more I trouble myself with that, the legacy. Will anyone care about Thomas Wolfe in 100 years? 10 years?”

F. Scott Fitzgerald: “When I was young, I asked myself that question everyday. Now, I ask myself, ‘Can I write one good sentence?’”

For any writer, there are more ifs and thens and whats and whens to obsess over than hours in the day. What if no one cares about my idea? Will the book sell once it’s out? When can I make a living from my craft? What does it all amount to? Will I leave behind a legacy? There is no quicker way to obliterate your ability to chain words together than to hop on this never-ending merry-go-round of hypotheticals.

Instead, as Perkins drilled into his authors when fighting with them over every word, as Fitzgerald finally realized after years of failure, dedicate your obsession to the micro. Forget the book, the chapter, even the page and the very next paragraph. Ask one question and one question alone. The only question that matters: Can I write one good sentence?

Even if the encounter was fictional, even if Fitzgerald never said these words, there’s a high chance he had internalized them regardless. How do I know? Well, the other grand disciple of Perkins, Hemingway, left us with the exact same advice. It’s a famous line that’s been quoted countless times: “Write the truest sentence that you know.”

What did this mean for Hemingway? He explains it to us in the paragraph the quote is from — the majority of which most quoters omit:

Sometimes when I was starting a new story and could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, “Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.” So finally I would write one true sentence, and then go on from there.

As Nick Wignall notes, it is the throwing-orange-peel-into-the-fire part that is most crucial to understanding the advice. “That was his one true sentence that lead to his now famous ‘Write one true sentence’ quote,” Wignall writes. It was the only thing he knew to be true at the time: When I have writer’s block, I toss fruit into a fire. So that’s where he began.

Your next, first, final sentence being true is all nice and well, but, going back to Fitzgerald’s version of the tip, we now must ask: Is it also a good sentence?

Undoubtedly, Hemingway’s messy eating habits meet those criteria. There’s color, there’s fruit, there’s fire. Fire is dangerous. Fruit is a symbol of life. The colors change, and so does the situation. Feeding orange peel to the flames is not an everyday occurrence. See how many more metaphors we already extracted from this one line? You can imagine the scene as funny — an enraged Hemingway hurling oranges into his fireplace — or deeply thoughtful — the mindless flick of a finger causes a blue spark and loud crackle as Hemingway turns back to his desk. That is one heck of a sentence. Did Hemingway know when he wrote it? Doubtful. But he trusted the truth, and he deliberated on it long enough to stick with his decision — and that made all the difference.

Unfortunately for Wolfe, he never got to practice the advice he received from Fitzgerald. Weeks after his visit, he died of tuberculosis at just 37 years old. He did, however, leave behind a legacy — and a letter to his former editor, Maxwell Perkins:

I shall always think of you and feel about you the way it was that Fourth of July day three years ago, when you met me at the boat, and we went out on the cafe on the river and had a drink and later went on top of the tall building, and all the strangeness and the glory and the power of life and of the city was below.

Now that’s a good sentence. I think you should write one.

5 Good Things That Will Follow From This Pandemic Cover

5 Good Things That Will Follow From This Pandemic

Nik

The best way to stay calm amidst the coronavirus madness is to focus on the present moment. Accept reality as is, realize you’re okay, and then handle the challenge at hand with direction and resolve.

The second best way is to time travel to the future. What will happen after all this is over? Can you imagine a more peaceful tomorrow? What good will come from this? There will come some good from this. It’s hard to see it now, but making the effort will give you something to aspire to in these dark times.

Of course no one can predict the future, but when I think about what positive, long-term consequences we could see from this pandemic, I spot a lot of potential. Here are 5 predictions to provide some comfort while we’re all stuck at home.

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Choose Hard Problems Cover

Choose Hard Problems

Nik

The restroom has been closed for months. There are others, of course. One downstairs. One upstairs. Which one do you go to?

Upstairs is nicer. Downstairs is closer. And, well, you walk down, not up. At least initially.

Most people go down, and it shows. The towels are empty. The room smells. In times of global sanitary crisis, it’s not where you want to be.

You decide to go up. Just once. Just to try it. You’re surprised. No one’s here. The sink is clean. There’s a window. It’s open. What a breath of fresh air.

If that’s the prize for going up instead of down, what else might be out there? You wonder — and then you venture. Endless hallways stretch in front of you. Here’s another nice restroom. And another. And another.

One day, you turn a corner and find a completely renovated part of the building. Whoa! Shiny white tiles, 15-foot-ceilings, fragrance sticks, what lavatory luxury is this? And all it took was another five minutes of walking.

“The long way is the shortcut,” Seth Godin says. We shy away from the extra mile because we think it’s long — but it’s just another mile. Plus, there are no traffic jams on it, according to hall of fame quarterback Roger Staubach.

Four years ago, I went to a library every day. The lockers were public, you chose at random, but I could always rely on mine being empty — it was at the bottom. The rewards for solving harder-than-average problems are often extraordinary, making them well worth the additional effort.

Another reason to go a little further, work a little harder, stay a little longer, is that it brings its own form of motivation.

The more time you spend on your application after everyone has sent theirs, the more used you’ll get to having — and satisfying — higher expectations — both your own and those of others. It’s a positive, self-reinforcing loop. Shoot higher, do more, want to shoot higher, want to do more. Meanwhile, the exponential rewards keep accumulating.

In The 4-Hour Workweek, Tim Ferriss said: “99% of the world is convinced they are incapable of achieving great things, so they aim for the mediocre middle-ground. The level of competition is thus fiercest for “realistic” goals, paradoxically making them the most time- and energy-consuming.”

There’s a third reason to tackle hard problems, and it might be the most compelling: The easy ones are already solved.

We have AirBnB. And Uber. And Netflix. There are enough electric scooter startups. We don’t need another one. We don’t need another bubble tea store, another listicle, another dieting hack. We need someone committed to doing the work. We need you to show up — and not just when it suits you.

Once your ass starts to hurt, how long can you stay in the chair? How crazy are you willing to look before we realize you’re right? “Hard choices, easy life. Easy choices, hard life,” Jerzy Gregorek says.

The hardest part of solving a hard problem is rarely the problem itself. It’s deciding to go where no one else will. Because how’s that gonna look? How’s that gonna feel?

You might be lonely. You might be ridiculed. But you might also find the comfiest restroom in the building. You might feel more empowered than ever. And you might change the world for all of us.

Choose hard problems. Venture off the beaten path. You never know what you’ll find, but it’s the only way that can lead to true growth.