Jaws was Steven Spielberg’s third feature-length film. Once production started rolling, the filmmaker’s imagination quickly met reality.
The first plan to train an actual great white shark for filming the underwater scenes was abandoned almost immediately. Instead, a team of up to 40 people assembled three life-size prop models, all equipped with extensive pneumatics so they could move in a way that looked realistic.
On one goal, however, Spielberg remained set: The film would be shot in the ocean, not some glorified indoor fish tank, as was common in Hollywood in the 1970s. This would make Jaws the first movie of its kind—but it also came with all kinds of unforeseen complications.
Special equipment had to be developed just to keep camera’s safe and rolling underwater. The models kept breaking, sinking, and malfunctioning, because while technologically sophisticated, they were not built for withstanding sea water. There were problems with the fake boats from the movie as well as real boats drifting into frame while shooting footage. After all, the sea is the sea, and there’s more going on than some inexperienced director recording a film.
The delays did have some upside: They provided room for creativity and improvements elsewhere. The writers kept updating the script, and the actors tried their best to compensate for the more comic-y scenes with world-class acting. And where the technology plain old wouldn’t work? It was omitted. Spielberg rearranged many shots so only the fin of the shark was visible, or the audience would see from the shark’s perspective, or the scary part remained off-screen while the music prompted the viewers’ imagination.
Still, in the end, the final numbers didn’t look too promising: Instead of the scheduled 55 days, filming ultimately took a whopping 159. And the budget? From $4 million to $9 million. Having rejected all opportunities to shut down the production midway, Spielberg had more than second thoughts: “I thought my career as a filmmaker was over,” he said in an interview. “I heard rumors…that I would never work again because no one had ever taken a film 100 days over schedule.”
More than 50 years after its release, I recently watched Jaws for the first time. I was floored. Minus the 70s outfits, the movie could just as well have been from the year 2005. In some ways it looked more realistic than the early CGI-laden films of those years—because it was.
I can only imagine how dramatic it must have felt to watch it on the big screen at the time, and it clearly did. Because upon its release in the middle of a usually film-dead summer, it raked in an impossible $7 million during its opening weekend alone. Eventually, Jaws became the first film to gross over $100 million in theaters, and it firmly established the now common pattern of “summer blockbusters.” Spielberg’s career wasn’t just saved. That’s when it really began.
It rarely feels great to work on a hard project. Failure becomes the status quo. But where we see mistakes while bumping into our limitations, others might see a pioneer pushing the world forward inch by inch.
Don’t give up too soon. Even if reality overpowers a great deal of your imagination, however much of it remains may still inspire us to dream a little bigger than we did yesterday.