April 2020 - nik.art

5 Phrases Caring Partners Use Often

April 23, 2020July 27, 2022 Nik

The best way to have a caring partner is to be one yourself. This isn’t always easy, but it’s simple.

For years, I used to wish someone would make me feel cared for and thus safe and loved. They wouldn’t have to fix all my problems, just show real interest, concern, and actually listen. As it turns out, much of receiving these feelings of affection, understanding, and respect was in my hands all along.

I’m in a relationship now, and the number one thing I’ve learned so far is this: If you want to feel cared for, care deeply for others. Reciprocity is a powerful force. When the giving is honest, it feels natural to want to give back, not forced or manipulative.

Lately, I paid attention which phrases my girlfriend uses that make me feel cared for, respected, and loved. Now, I’m making an effort to use them more often. I’m not perfect, but it feels good to say and mean them — and to frequently hear them in return.

1. “Take all the time you need.”

In my last relationship, I constantly felt bad for wanting to work. I was just starting as an entrepreneur, and though I didn’t put in Bill-Gates-like hours, the usual 40 of a common job just didn’t cut it.

My girlfriend at the time was a student. She had more time on her hands, and she often asked: “When are you done? Can we hang out now?” I was always excited to spend time with her after work, but these constant check-ins made me feel guilty despite the fact that I loved my work.

In my current relationship, hearing the words, “Take all the time you need” gives me huge relief. Whenever one of us has to finish something before we talk on Zoom or make dinner together, the other tells them to move on their own schedule, and it’s liberating. It makes me want to get my work done faster — minus the guilt.

Being in a relationship doesn’t handcuff you to your partner, but sometimes, we put the shackles on ourselves — usually out of fear. We’re afraid we’re being selfish if we pursue our own interests, and that they might reject us if we don’t spend every second with them. Ironically, often, both partners have this fear, making it wholly unfounded.

Your partner is their own person. They’re busy. They want to do many things and, a lot of them, they’ll have to do on their own. Let them. In a healthy relationship, one of the best gifts you’ll ever give — and receive — is space.

Don’t incessantly text your partner with real-time updates, and don’t expect them to do the same in return. Only if you’re apart will you learn what it’s like to miss them. You’ll appreciate them and the time you spend together so much more if you allow yourself this feeling in healthy doses.

2. “Are you ok? You looked worried.”

In the music video for their song “Family” the Chainsmokers tell the story of Rory, their cameraman. Rory joined them when they were still unknown, and then, like the band, he became famous.

Eventually, he became so successful that he lost himself, and, after a bad car accident, he fell into a spiral of negative thoughts. The band, his friends, his family, they all continued to make time for him and helped him get back on track. Had they not, he might not be here today.

The video ends with a simple message: it’s cool to check up on your friends.

When it comes to your partner, checking in on them isn’t just cool, it’s necessary. When they appear or sound worried to you, tell them. Let them know you’re under the impression that they feel a certain way: sad, angry, scared, anxious — whatever the emotion might be, shine a light on it.

Notice how different this is from saying, “You’re angry.” The truth is you can’t actually know. You don’t know how anyone is feeling except yourself. But you can make an educated guess, and if you deliver that guess in kind, people will thank you for it.

Sometimes, it’s better to do this a few hours after the fact because it gives both you and your partner time to reflect on what’s going on, but “Hey, you looked worried earlier, you ok?” often goes a long way.

3. “Do you want to talk about this now or later?”

Making room for what’s important to your partner is a two-part job: First, you have to create a safe space for them to share how they feel. Then, there also needs to be time to talk through those feelings and, eventually, help them figure out what to do about them.

“Do you want to talk about this now or later?” is a great sign of commitment and dedication. It shows you’re willing to take a break from whatever you’re doing to listen to your better half.

The phrase also accepts that they might not be ready to talk about this problem, either because they’re busy or because they need to think more about it on their own. It signals you’re open and willing to help, not just now, but whenever they feel like they need it the most.

When it comes to not only our intimate relationships but also our friendships, few actions are more powerful than letting them know you have their back.

4. “How do you feel about this?”

I think on some level, everyone can relate to Rory’s story: Sometimes, I get so busy that I forget to even consider how I feel about things. That’s how we bottle up emotions. We don’t mean to. It just happens. That’s why it’s nice to get a reminder from time to time.

You can’t have a real-time check-in for every emotionally challenging situation, but making them a habit can prevent a minor situation from becoming a major headache. Like all things under pressure, we gain stability from letting off a little steam every now and then.

“How do you feel about this?” is a universal phrase. It doesn’t just allow your partner to pause and think about their feelings towards what they’ve just experienced, it can also be a chance for you to get their opinion on a story or idea you’ve shared.

Proactively asking your partner for their opinion or how they feel about your plans eliminates many uncomfortable conversations down the line. No one wants to tell the person they love that they think an idea of theirs is bad — but sometimes, we’ll have to. Them asking us this simple question first is a great sign of humility.

5. “How did you sleep?”

If you’re with your partner for 30 years, you’ll spend 10 years next to each other — sleeping. Just because you’re not awake does not mean that it’s not time spent together.

Asking your partner how they experience this time is a simple courtesy, but it adds up — and so does a lack of it. Imagine waking up with a huge headache, and all your partner has to say is, “I slept great, let’s go!!”

Rather than waking up and immediately facing our days alone, we should use our mornings to show up to the starting line as a team. After all, what does it matter if we arrive at the finish line when we don’t do it together?

As you may have noticed, all of these phrases are simple. That’s another lesson I’ve learned in my new relationship: Being a caring partner isn’t about using big words. It’s about using the right ones — and saying them at the right time.

4 Zen Stories That Will Change How You Think About Life

April 16, 2020February 7, 2023 Nik

I’m an introvert. I overthink. It’s what we do. My mind is always on, and even on good days, it can be hard to feel calm. Part of this is human nature — our brains are built to fix problems — but if you’re constantly worried about solutions, the future, and what’s not working, you can’t enjoy the bursts of relief we’re meant to celebrate whenever we achieve a breakthrough.

Drop a person like that into an environment of adversity, and they’ll forever lose themselves in a maze of their own making; a maze of thoughts they’ll whiz through like a rat seeking cheese, only to realize there’s none to be found once they’ve seen every corner. Now, on top of that person’s natural tendency to worry, every day offers them new opportunities to create negative thought spirals, and before you can scream so much as “Stop!” they’re already waving at you from the top of the slide, ready to begin another descent into misery.

It’s true. Life can be a real doozy sometimes. But even when it feels like the world is collapsing — especially if you’re prone to worry to begin with — you can’t dwell on the negative. The easiest way to do this is to turn to a good story.

Below, I’m sharing four that will get you back on track if you feel stuck in a spiral of worry. They’ll change your perspective, redirect you towards progress and growth, and, if you let them, they just might make your day.

The Farmer’s Horse

One morning, the old farmer’s horse ran away. The neighbors expressed their sympathy: “What bad fortune!” The farmer replied: “We’ll see.”
The next day, the horse returned with a whole flock in tow. The neighbors were over the moon: “How lucky you are!” The farmer replied: “We’ll see.”
The next morning, his son tried to tame the horses. He fell and broke his leg. The neighbors showed consolation: “Such bad luck!” The farmer replied: “We’ll see.”
One day later, the army drafted soldiers. They skipped the farmer’s son. The neighbors were delighted: “What a blessing!” The farmer replied: “We’ll see.”

If you’ve ever thrown a whole morning after a spilled cup of coffee by sulking in your anger for hours after the event, you know the neighbors’ dilemma: Life is a rollercoaster because they overreact to everything. If, emotionally, all you know is the highest high and the lowest low, your life will always be stressful.

The farmer knows something they don’t: The jury on today’s events isn’t out yet. Who knows what consequence they might have down the road? That’s why he keeps calm, stays humble, and holds off on judgments.

Don’t live in extremes. Live in the middle. Don’t be like the neighbors. Be like the farmer.

The Learned Man

A man went to inquire about Zen. He raised questions while the teacher was talking and frequently expressed his own opinion.
Eventually, the teacher stopped talking and served tea. When the man’s cup was full, he kept pouring.
“Stop!” said the man. “Don’t you see the cup is full? No more can go in!”
“Like this cup, you are full of your own opinions,” the teacher replied. “If you don’t empty it first, how can you taste my cup of tea?”

Not only are premature judgments stressful and often wrong, but they also prevent you from learning anything new. As long as you hold a stick in your hand, you can’t pick up a stone. The same is true for our relationships, careers, and knowledge. The hard part of learning isn’t to get new information, often not even to understand it — it’s letting go of what you think you already know.

Variations of this story call the visitor a “learned man.” As we grow up, go to school, meet people, and live our lives, we all become learned people. The sooner we can let go of our preconceived notions, the sooner we can keep an open mind, widen our perspective, and learn what we must in order to grow.

Don’t let your cup overflow. Empty it often so you can taste new kinds of tea.

The Couple on the Donkey

A man and his wife were traveling with their donkey.
On the first day, both rode on his back. In town, they heard people whispering: “What a mean couple, putting all that weight on the donkey.”
On the second day, the man rode and the wife walked beside. People whispered: “What a cruel man, forcing his wife to walk while he rides on the donkey.”
On the third day, the man walked, the wife rode the donkey. People said: “What a careless man, letting his wife ride alone on the donkey.”
On the fourth day, both walked beside the donkey. Again, people whispered: “What a stupid couple! Why walk if they could ride on the donkey?”

No matter what you do, people will judge you. Since we’re all overflowing cups, we can’t help but spill some of our hard-formed if ill-advised opinions. Even if we don’t voice them, whether we think you’re stupid or a genius, we’ll always think something.

Don’t let any of those thoughts seep into your self-image. They were never yours to begin with. If you find yourself thinking the lady on the bus is rude, she’s probably just scared, stressed, or confused. Maybe all three. We love to generalize behavior and ascribe it to who people are when, really, most of what we do is a result of the context we’re in.

Wherever your donkey takes you, hold your head high. Ignore the whispers, and be kind to the villagers. They might not know what they’re doing, but it is not who they are.

The Move

Two men visit a Zen master, looking for advice.
The first man says: “I’m thinking of moving to this town. What’s it like?”
The Zen master asks: “How was your old town?”
“It was terrible. Everyone was mean. I hated it.”
To that, the Zen master replies: “This town is much the same. Don’t move here.”
After the first man leaves, the second man enters and says: “I’m thinking of moving to this town. How is it?”
Again, the Zen master asks: “What was your old town like?”
“It was wonderful. Everyone was friendly. Just looking for a change.”
The master replies: “This town is very much the same. I think you will like it here.”

What we seek is what we find. Why you do what you do matters as much, if not more, as what you ultimately end up doing.

The reasons through which you look at the world as you roam through it will shape what you see, where you go, and who you’ll encounter. Ultimately, what you’ll find will be determined by how you chose to seek.

Choose wisely. Look for the positive. Stay optimistic. And don’t think moving alone will make you happy.

All You Need to Know

If you find yourself worrying a lot, overthinking things, and unable to enjoy life’s little and big wins, try changing your perspective with a story.

The Farmer’s Horse is about not judging too quickly. A perceived misfortune today might be revealed as a blessing in disguise tomorrow.
The Learned Man is about being willing to let go of your opinions if they no longer serve you. Don’t let them get in the way of learning.
The Couple on the Donkey is about ignoring what others think of you while realizing you too tend to generalize. We all make bad choices from time to time. Everyone lives and acts in the moment, including you.
The Move is about understanding that what you seek is what you’ll get. Your intentions shape your behavior, and thus your perceived outcomes and real results. Don’t let negative thoughts compound into a bad life.

How to End an Email: Which Sign-Off Most Likely Leads to a Response?

April 15, 2020July 5, 2022 Nik

For all the energy you put into your mails, you’re neglecting the one element that’s most crucial in determining whether you’ll receive a reply: the ending.

Tell me if this sounds familiar:

You’ve spent hours deliberating over your email subject line and its content. Will this word get them to open my message? Am I rambling? How can I get my request across in the most concise and considerate way?

You’ve worried about the first sentence, the second, and you’ve re-written both of them a dozen times. And then? Then you hit ‘Send’ without spending one thought on which words your recipient will read right before they decide if they’ll respond or not.

It’s easy to understand why your email’s subject line is all-important: If it doesn’t get the receiver to open your message, all hope is lost. Similarly, it’s clear that if you waste the first few seconds of someone’s attention, they won’t give you any more of it. What’s less obvious but also true is that if your email leaves a bad taste in someone’s mouth at the end, that person won’t reply.

Nobel Prize winning psychologist Daniel Kahneman found evidence across several studies for something he dubbed “the peak-end rule.” The peak-end rule suggests we judge and remember experiences mostly based on how they feel at their most intense moments and right before they end.

If you’ve ever gone to a great party only to have the night ruined by someone spilling their drink over you just before you left, you know this is true. Chances are, you still remember it as “a bad night,” even if everything leading up to the last-minute mishap was perfect. The peak-end rule affects all of us, all the time, and so a good rule for closing your emails is this: Don’t spill your drink on people’s shoes before you leave.

This isn’t to say you’re actively killing people’s vibe in your sign-offs. You likely don’t end your emails with, “So long, sucker!” (if you do, please stop.) But are you doing your best to not just not ruin people’s day but make it better and increase your chances of getting a response in the process? Probably not. You might even have a generic signature that attaches “Best,” or “Regards” without you even choosing a particular sign-off phrase for any given email — and it torpedoes your response probability for every email you send.

In 2017, the company behind the Boomerang plugin for Gmail analyzed 350,000 email closings. They found the following three phrases most increased the likelihood of a response, somewhere from 22% to 38% when compared to the baseline:

“Thanks in advance” (65.7% absolute response rate)
“Thanks” (63% absolute response rate)
“Thank you” (57.9% absolute response rate)

Gratitude. Who would’ve thought? Adam Grant, author of Give and Take and psychology professor at Wharton, concluded in a 2010 study: “Gratitude expressions increase prosocial behavior by enabling individuals to feel socially valued,” which is a fancy way of saying what the title of the study suggests: a little thanks goes a long way.

In the experiment, college students received an email asking them for help with a cover letter, some of which ended on “Thank you so much!” while others didn’t. More than twice as many people offered support when gratitude was expressed in advance. This may seem like common sense, but, apparently, we’re often lacking it when closing our emails.

In Boomerang’s study, phrases that didn’t perform so well in eliciting a response were “Cheers,” “Kind regards,” “Regards,” “Best regards,” and — ironically worst of all — “Best.” While you may not want to lean on “Thanks in advance” too much — it’s a bit presumptuous and can feel passive-aggressive, a simple “Thanks” will get most people to respond to your emails.

Don’t waste your effort building beautiful digital paper planes by skimping on the last few characters before they reach the finish line. Think about how you end your emails. Last words matter, even here — and, often, a simple “Thanks” will do.

Can You Write One Good Sentence?

April 9, 2020May 7, 2022 Nik

In the early 20th century, the most important man in the world of American literature wasn’t an author. His name was Maxwell Perkins.

Perkins was an editor at Scribner, a publishing house in New York City. In 1919, he signed a young, unknown author, making a big bet on aspiring talent against the will of his seniors at the company. The author he signed was F. Scott Fitzgerald, who would go on to write and publish The Great Gatsby in cooperation with Perkins.

One year after Gatsby, which wouldn’t sell well for the next 15 years, Perkins met and signed another author of questionable status: Ernest Hemingway. After the two books they worked on together — The Sun Also Rises and A Farewell to Arms — found commercial successes, Perkins became the most sought after editor in the country.

The 2016 movie Genius tells the story of Perkins and another prodigious discovery of his: Thomas Wolfe. Wolfe was the son Perkins, who had five daughters, always longed for. He was poetic, passionate, and notoriously incapable of cutting a single word from his flowery prose. In other words, he was a writer through and through.

As an editor, one of Perkins’ main responsibilities was to cut the inessential. He did so for all of his writers but for none more than Wolfe. His first novel, Look Homeward, Angel, went from 294,000 words to 234,000 under Perkins’ guidance — and it sold like hotcakes. Taking the feedback of “write more” a bit too literally, Wolfe turned around and produced another manuscript: The 5,000-page draft for Of Time and the River, which him and Perkins fought over for two years before it finally saw the light of day.

Then, despite the book’s success, a trauma befell Wolfe that catches every writer at some point: Wolfe got writer’s block. For months, he was unable to put pen to paper. Eventually, he took a long, solo trip all the way to California, where, among other things, he visited Fitzgerald. I doubt the scene played out as depicted in the movie, but the advice he gave Wolfe — no doubt inspired by Perkins’ dedication as an editor — is priceless nonetheless:

Thomas Wolfe: “More and more I trouble myself with that, the legacy. Will anyone care about Thomas Wolfe in 100 years? 10 years?”
F. Scott Fitzgerald: “When I was young, I asked myself that question everyday. Now, I ask myself, ‘Can I write one good sentence?’”

For any writer, there are more ifs and thens and whats and whens to obsess over than hours in the day. What if no one cares about my idea? Will the book sell once it’s out? When can I make a living from my craft? What does it all amount to? Will I leave behind a legacy? There is no quicker way to obliterate your ability to chain words together than to hop on this never-ending merry-go-round of hypotheticals.

Instead, as Perkins drilled into his authors when fighting with them over every word, as Fitzgerald finally realized after years of failure, dedicate your obsession to the micro. Forget the book, the chapter, even the page and the very next paragraph. Ask one question and one question alone. The only question that matters: Can I write one good sentence?

Even if the encounter was fictional, even if Fitzgerald never said these words, there’s a high chance he had internalized them regardless. How do I know? Well, the other grand disciple of Perkins, Hemingway, left us with the exact same advice. It’s a famous line that’s been quoted countless times: “Write the truest sentence that you know.”

What did this mean for Hemingway? He explains it to us in the paragraph the quote is from — the majority of which most quoters omit:

Sometimes when I was starting a new story and could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, “Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.” So finally I would write one true sentence, and then go on from there.

As Nick Wignall notes, it is the throwing-orange-peel-into-the-fire part that is most crucial to understanding the advice. “That was his one true sentence that lead to his now famous ‘Write one true sentence’ quote,” Wignall writes. It was the only thing he knew to be true at the time: When I have writer’s block, I toss fruit into a fire. So that’s where he began.

Your next, first, final sentence being true is all nice and well, but, going back to Fitzgerald’s version of the tip, we now must ask: Is it also a good sentence?

Undoubtedly, Hemingway’s messy eating habits meet those criteria. There’s color, there’s fruit, there’s fire. Fire is dangerous. Fruit is a symbol of life. The colors change, and so does the situation. Feeding orange peel to the flames is not an everyday occurrence. See how many more metaphors we already extracted from this one line? You can imagine the scene as funny — an enraged Hemingway hurling oranges into his fireplace — or deeply thoughtful — the mindless flick of a finger causes a blue spark and loud crackle as Hemingway turns back to his desk. That is one heck of a sentence. Did Hemingway know when he wrote it? Doubtful. But he trusted the truth, and he deliberated on it long enough to stick with his decision — and that made all the difference.

Unfortunately for Wolfe, he never got to practice the advice he received from Fitzgerald. Weeks after his visit, he died of tuberculosis at just 37 years old. He did, however, leave behind a legacy — and a letter to his former editor, Maxwell Perkins:

I shall always think of you and feel about you the way it was that Fourth of July day three years ago, when you met me at the boat, and we went out on the cafe on the river and had a drink and later went on top of the tall building, and all the strangeness and the glory and the power of life and of the city was below.

Now that’s a good sentence. I think you should write one.

Why Everyone Should Write

April 7, 2020January 21, 2023 Nik

If you’re reading this, you know how to write. And even though you picked up both in elementary school, right now, you’re likely doing too much of the former and too little of the latter.

You might write sales reports, shopping lists, and birthday cards, but none of those are really productive, are they? They’re just necessary. Ironically, all the most productive forms of writing aren’t necessary at all — but that doesn’t make them less important.

Everyone should write.

Why? So you can get rich and famous and build a personal brand and attract millions of readers? No. Everyone should write because writing imposes discipline on your thoughts and emotions.

Writing is the only art where refinement is inseparable from the craft. You can’t take the paint back from the canvas. There’s no need to stop talking on video. You can, of course, make an effort to improve your work in other arts. You can shoot multiple takes, sketch on an iPad that allows for edits, and re-record the song a thousand times. But if you don’t make the effort? Then improvement never happens.

Writing is different. The only way to write is to curate what you think. Every waking second, you’re choosing one thought over another. Now, you have to select which thoughts will go onto the page. You can’t pick all of them. You have to choose.

“Don’t edit while you write,” they say. Nonsense. You’re always editing — because you’re always changing your thoughts. Sure, you can make an effort to not filter yourself as much in early drafts, but it’s impossible to turn that filtering off altogether.

Language is structure. We pick words to assemble sentences and chain together those sentences using commas, periods, and paragraphs. Then, we can build pages, chapters, speeches, even books of great magnitude — but they’re all works of structure and the process of structuring starts with the smallest unit. It affects every part of the coherent result because it affects every second we spend producing it.

You cannot write without structuring your thoughts. But what are your thoughts? Your thoughts are how you respond to your emotions. When someone insults you, you feel hurt. That hurt then starts to inform your thoughts. The connection may last for a second, ten minutes, or a lifetime, but it’s there. Therefore, in curating your thoughts which follow from your emotions, writing is nothing other than structuring your emotional responses.

Again, the difference between writing and other forms of art is that some discipline is imposed merely by engaging in the act itself. You can record a four-hour rant following that time you stubbed your toe, but even if it’s possible to write a really long essay about it, chances are, the fire of rage would fizzle out much quicker — because you’re forced to select which sparks you burn into the page.

That’s why writing breeds self-awareness more so than other crafts and why most of other crafts are, at least in part, also based on writing. Songs are written both in lyrics and tune, videos are scripted, and most radio shows and podcasts follow some sort of outline. That’s not a coincidence. Writing allows us to form and shape our selves unlike any other form of expression. It is the best version of that self that we want to put into our art, and so writing is a critical part of the process, no matter which medium you ultimately choose.

None of your writing needs to happen in public for it to be valuable, for this transformation to take place. You can keep a journal, a diary, or dabble with poems in the notes app on your phone. You can write essays, fiction, or short articles that merely serve as reminders to yourself. You can do all of this for five minutes or two hours, but I encourage you to try any one of it at all.

Whenever you write, however much of it you do, you’re unequivocally, irrevocably telling your story, and you’re doing it in a way that makes processing your emotions inevitable. That’s why everyone should write.

To Stay Creative, Remember to Breathe

April 5, 2020March 5, 2022 Nik

“I sometimes disappear for weeks or even months at a time. When I do this, I’m not abandoning my work or being lazy. I’m just trying to breathe.”

So writes Matthew Inman, creator of the web comic The Oatmeal, in a post titled Creativity is like breathing. To explain the analogy, Inman writes: “When you make stuff, you’re exhaling. But you can’t exhale forever. Eventually, you have to breathe in. Or you’ll be dead.”

That’s why Inman spends lots of time reading books, being outdoors, and jumping from project to project, he says. They’re all forms of breathing, and they don’t just make him better at his job, they’re also reasons why he loves his job. It’s the beauty of being a creative: Everything you do is fuel for your work.

When your job is to make things, your whole life is your canvas. You can have a brilliant idea over a bowl of cereal, write about what happened on vacation, even the bad stuff, like going through a breakup, you can work into your creative output. In fact, you’ll both have to and want to.

Whatever happens in your life impacts your emotions, your thoughts, and, as a result, what the outcome looks like when you put those thoughts and emotions on paper — or any other medium. Why do you think I just used “a bowl of cereal” as an example? It’s because, for the past two days, I’ve been staring at a comic called The Oatmeal. That’s how the human mind works.

While there’s nothing you can do about your intelligence running under the influence of many biases, you likely won’t mind once you realize there’s an active benefit on top of this more passive dynamic when creating: You consciously get to work through the events in your life. Writing about a positive experience makes it better. Sharing your business failure on a podcast mellows the pain.

Soon, you’ll process your whole life in real-time through the lens of creativity — and it’s one of the most powerful forms of self-healing there is. You’ll constantly learn, evolve, and challenge yourself to accept your past by creating something others can use in the future. As wonderful as it is to find this kind of outlet, there’s a downside: Your work can become addicting.

When everything is input, it’s natural to consistently want to form output. You’ll feel like you should shape and release all your experiences and ideas, which, of course, is impossible. What’s more, not all input is created equal. Some stories will have more value to your audience than others. This is another, less appealing part of the artist’s job: You have to curate your work and select what’s most worth sharing. This is where it helps “to breathe.”

As Zat Rana put it in The Philosophical Argument for Working Less, part of respecting your work is accepting that it’s “just one part of life, not the whole thing:”

Even if you love your work more than you love anything else, you are likely to find it more complete and fulfilling if you step away from it, time to time.

Eventually, you have to breathe in — or you’ll be dead. If you’ve ever hit creator’s block after a long stretch of releasing a lot of work, you may have realized: It’s not that you can’t publish daily, it’s that your posts start to feel stale. You’re panting. Short, choppy breaths, out, out, out. You need time to breathe in — literally, and then figuratively. Beyond our own desire to insta-journal about our lives, there’s also a component of societal pressure, Zat says:

There seems to be a certain guilt in our current culture associated with just taking time to do nothing, to relax, to leisure, to waste time, and to simply have no plans. But the truth is that, without these things, you are not going to get the most out of your work anyway.

When you feel tired, sleep. When you lack good analogies, watch a movie. Don’t feel bad about taking a vacation from time to time. Leisure creates its own form of productivity. If you allow your experiences to ripen, more of them will mix. Your subconscious will add its own kind of seasoning, and, soon, it’ll send a powerful insight back to the surface.

Once that great idea strikes like lightning, you won’t be able to not act on it. A breath of truly fresh air is so empowering, you’ll have to direct it somewhere. Well-rested and fired up, you’ll rush back to your chair, ready to put out the next comic. Who knows what brilliant metaphor you’ll write about. Maybe something like, “Creativity is like breathing.”