Category: Art

6 Paradoxical Truths of Life

Nik

The first paradox I ever saw was Waterfall by M. C. Escher.

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How does a four-year-old come across a perpetual motion illusion by an artist who died 20 years before he was born? Well, it hung in our hallway. Not the original, of course. The copy provided enough staring material for hours.

How does that work? Why does the water flow up and down at the same time? How fast must the wheel spin to make it all go round? Most importantly, why aren’t they staring? The people in this painting have no care in the world. To them, this magnificent delusion barely exists.

When you first encounter a paradox, your brain goes on the fritz. Which version is true? Why don’t they add up? And why do they feel like, somehow, they still kind of do? It’s easy to get stuck on this part. To obsess and try to cram the contradiction into a box labeled ‘consistent’ in your mind.

If you don’t however, eventually, something wonderful happens: Your brain turns off. It stops trying. Suddenly, you can, somehow, accept the idea at face value and, instead of dissecting it, appreciate its beauty.

If you’ve ever felt this way, if you’ve ever been mesmerized by something you could not understand, then you’ve witnessed not just the beauty of paradox but, actually, the essence of life: It’s a mystery, but it’s marvelous.

Just because we can’t understand something doesn’t mean it’s not there by design. This applies to the mechanical parts of your coffee machine as much as it applies to a breakup, a car accident, or, well, this painting. All of it was designed just for you, just for this moment. You might not “get it” at the time, but, later, you most likely will. “You can only connect the dots looking backwards,” Steve Jobs once said.

Deep in our subconscious, we know this, and that’s why our brains allow us to eventually gloss over the details and focus on learning, enjoying, and finding the positives. Yes. This is the paradox we need right now. If we accept it, it’ll give us peace of mind, a sense of ease, and freedom from worry.

If we appreciate it even, it’ll open a door to a new perspective: Maybe, both versions are true. What if the paradox combines two ends of the same spectrum? And what if we can stand on that spectrum and re-balance as needed? Might what looks like a flaw actually be an advantage?

Open your mind. Let the paradox in. Appreciate its beauty and accept its truth. It’ll prove useful time and again. It’ll prove to be part of the design.

Here are six of my favorite examples of paradoxes that can make your life a lot easier.

1. You didn’t come this far to only come this far

Dean Karnazes ran 50 marathons in 50 states on 50 consecutive days. Imagine being on day 49 of such a feat. “I can’t run another marathon. I just can’t.” Yes. But then, he did.

I’m sure there was more than one mile Dean hated. On the 30th marathon. On the 10th. Even on the first. But each time, whether it was mile two in race one or mile 17 in race 43, he remembered: You didn’t come this far to only come this far.

When you have trouble starting, remember how you got to the starting line. When you have trouble finishing, remember how you got close to the goal.

No matter how far you’ve come, no matter how daunting the obstacle ahead, there’s always a little more to go. This isn’t sad. It’s life — and simply a reminder of all the great things that lie behind you already — even if, sometimes, these great things consist of small steps.

2. Wherever you go, there you are

While life is a never-ending journey and we should always move on and strive forward, it pays well to stop sometimes and look around. “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.”

Heeding Ferriss Bueller’s advice lets us take a breath, enjoy the scenery, and celebrate our accomplishments. It also affords us a chance to look at the path that brought us here. We didn’t take all turns deliberately, and not all deliberate turns take us where we want to go. Yet here we are. This is it.

Why did you send that careless email? How come you stayed in this city? Why did you tell her your embarrassing story? Maybe you know, maybe you don’t. But it led you right here. To joblessness. To friendship. Into love. And that’s all that matters.

3. The easiest way to getting what you want is learning to want less

Once you’ve arrived, the best way to be present is to not look too far ahead. You’ll hit your next obstacle soon enough. That’s a time for forward-thinking.

For now, again, look around you. Look at what you have. Isn’t that enough? Slowing down today makes tomorrow feel like we lived more yesterday. Like we had it yesterday. Enough. And if we start from enough, today is a gift.

“Desire is a contract you make with yourself to be unhappy until you get what you want,” Naval says. Wanting is powerful. It makes you do things. Doing without wanting is joyful. It makes you love things. You choose.

4. You can’t *change* the people around you, but you can change the *people* around you

How many of the people you’ve met made you think, “I wish they’d never change?” That’s rare. Wishing for others to be different is the norm.

Of course, most people don’t change quickly, easily, or at all, let alone according to your wishes or because of anything you did, and so, eventually, you’ll leave most of them behind. That’s okay. It’s necessary. But when you find someone who makes it easy to stay, think long and hard before you leave.

How many true friends do you need to be happy? Five? Three? One? It’s easy to wander through life, hopping from circle to circle, always meeting people, always hoping for better but never quite connecting.

What if we stuck with those to whom we feel connected already? Let’s leave behind who we must leave behind but cherish the people we never want to change.

5. Don’t try to find people you’re willing to be with — be willing to try with the people you find

As little as you can do to change others, as much there is to be done inside yourself. Meeting the people who fit into your life like perfect puzzle pieces takes inner work — especially in love.

Bring out the best in yourself, then let those parts act like feelers, just waiting to register a signal from someone else. In the meantime, the strongest signal you can send is showing up.

Don’t wait for someone to open your eyes, mind, and heart. Choose to go through life this way. Hand out trust advances. Be willing to try, and you’ll be surprised how many people will extend you the same courtesy.

6. Take care of yourself so you can take care of others

If our lives didn’t end, they’d be meaningless. That’s another example of a paradox. Maybe the biggest. Most of us want to spend this limited time in the most meaningful way, and that usually means taking care of others.

Whether it’s being a mom, a great husband, a kindergarten teacher, a writer educating readers, a coach helping entrepreneurs, at the end of the day, life revolves around people. One of the hardest commitments to make is to hit pause on that carousel, step back, and take care of yourself. It’s also one of the most important.

The only way to bring the most and best of your time and energy to the grand human table is to ensure you have time and energy to spare. It’s not egoistic to put yourself first. It’s generous.

The guy gazing at the sky. The lady hanging her laundry. The reason the people in Escher’s painting don’t care about the waterfall is that they’ve accepted it. They rest easy. They don’t mind the inconsistency.

Paradoxes can seem like they’re here to make our lives harder. Little puzzles to keep our heads banging against the wall. They’re not. Paradoxes give us more options for truth because the truth always has more than one version.

Pulling from opposite ends of different spectrums lets us navigate even the most challenging situations with relative ease. Ironically, we can’t see this when we try to explain everything away.

To live life is to live inconsistently. To love life is to love inconsistency.

So smile at contradictions. Grin wide as you take on their challenge. Appreciate the beauty in life’s many little discrepancies.

It may take you a while to see it, but once you do, you might even think life’s better when the water flows both ways.

Your Only Job Is to Let Yourself Be Good Enough Cover

Your Only Job Is to Let Yourself Be Good Enough

Nik

You know that Coldplay song, Viva La Vida? The one with the strings and choir that tells the story of a fallen king:

I used to rule the world
Seas would rise when I gave the word
Now in the morning, I sleep alone
Sweep the streets I used to own

I’ve always wondered why it’s such an upbeat song. Why it’s called “long live life” when it’s about someone who’s lost everything they had in theirs. Well, Chris Martin, lead singer of the band, once explained the title.

When he was in Mexico, he went to a museum, and, in there, he saw the last painting Frida Kahlo ever made. It’s called Viva La Vida.

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One More Time Cover

One More Time

Nik

You ate all the candy and told your parents you didn’t. Oh, that damned first lie. But eventually, you forgave yourself. One more time.

You said you’d be home by ten, but you weren’t. They were worried sick. Your stomach twisted as you lay in bed. But eventually, you forgave yourself. One more time.

Your boyfriend said he was seeing someone else. How could he do that to you? What did you do wrong? Nothing. So eventually, you forgave yourself. One more time.

The girl you liked was never into you. You just refused to hear the message. When it finally sank in, you broke down and cried. All this time, wasted. But, finally, you know. So you forgave yourself. One more time.

You felt lonely and isolated. Why didn’t anyone understand? One day, you realize you never told them. That you pushed them away. But time heals all wounds, even if not all bridges can be rebuilt. You found a new start, a new chapter, a new life. And forgave yourself. One more time.

You knew you weren’t fit to work. But you showed up anyway. You wanted to look professional and strong. Of course, the project went sideways. You blew past the deadline. The final number was wrong. Your boss ripped your head off. Worse, she was right. But you could do better next time. Take the day when you’re sick. So you forgave yourself. One more time.

The voice in your head said “no.” That you couldn’t do it. Who should believe you? Why would anyone care? It brought up some nasty things, and you surrendered. To the couch. To Netflix. To ice cream. But you’d still be here tomorrow. You’d have a chance to try again. But to take it, you had to forgive yourself. One more time.

You were supposed to be so much farther by now. More money. A family. The job you really wanted. You don’t have any of these things, and, yet, life is still beautiful. There’s so much more to it than this. Maybe, it’s a sign to forgive yourself. One more time.

You don’t have to do it all alone, you know? Whatever it is, someone out there feels the same. But if you don’t raise your hand, they won’t see you. Can’t help you. Can’t tell you they’re going through the same thing. Don’t stay quiet. It’s okay. You can forgive yourself. One more time.

Whatever happens today, or tomorrow, or 36 days from now, promise me one thing. Promise me, you’ll forgive yourself. One more time.

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You’re Still Here

Nik

You were born as an accident. Or during an accident. Or with an accident. You were definitely born through great pain and suffering. But you’re still here.

You were raised in a poor home. A dysfunctional home. A home that clipped your wings and left you with deep scars you had to mend much later. But you’re still here.

You had a tough childhood. You were the runt of the litter. The middle child. The big brother with all the pressure. Maybe, you were all alone. But you’re still here.

You didn’t always get what you wanted. The other kids in school were mean. The boys never called back. The teachers had it in for you. But you’re still here.

You wasted a lot of time growing up. You couldn’t figure out what you really wanted. You dealt with disease, disadvantage, depression. But you’re still here.

Your body never gave you an easy time. It didn’t gain weight when it should have or lost any when it shouldn’t. It doesn’t want you to be fit and lean and healthy. It craves junk food and ice cream and popcorn. But you’re still here.

You were rejected when you put yourself out there. You showed vulnerability and honesty and compassion, and someone else spat in your face. But you’re still here.

You’ve inherited your dad’s gambling problem. Or your mom’s excessive spending habits. You struggle to make rent, to save money, to keep your dollar bills together. But you’re still here.

Your company failed. So did the big event at work, the 5th grade dance recital, and the opening of your art gallery. But you’re still here.

You made a mistake. You know you messed up, and you know it’s your fault. You don’t even know how to fix it. You just know you feel like you have to. But you’re still here.

You don’t know how to be happy. Life is confusing. It’s big and complicated and there are way too many options for everything. But you’re still here.

Life is and sometimes it isn’t. But it’s short for all of us. It’s a unique and crazy experience, and there are no do-overs, no second season, no late-night rerun tickets.

Every day is special. A once-in-a-lifetime chance. Another reason to be grateful. And you’re still here. So today is a good day.

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Bullet Time: How To Live A Fully Engaged Life

Nik

The Matrix revolutionized the film industry in many ways. One of them was the introduction of bullet time. It’s a visual effect that allows the viewer to transcend time and space.

Instead of seeing a scene from just one angle in one moment and another the next, you can now witness the same moment from multiple perspectives.

As a result, you can watch the hero not just dodge bullets, but dodge them in style and slow-motion.

At the time, this was a huge innovation. Now, the movie is 20 years old, and others have taken the concept a lot further, like Wonder Woman, Resident Evil, and X-Men. Today, the effect is standard practice in hundreds of movies, which makes it, well, just another visual effect.

At the same time, it’s still not your average action flick gimmick.

When you’re watching a movie, the moment bullet time triggers, you’re taken three levels deeper into the experience. Instantly. Time slows down. You look around. You get to see all aspects of a scene, not just the one the director deemed most relevant.

Suddenly, you’re more invested into everything that happens. Because you’re a bigger part of it. That’s why bullet time was such a brilliant invention and one of the reasons why the movie has become a piece of film history.

So how did they pull it off? How do you shoot a bullet time scene?

As the making of explains, the film crew built a special-purpose camera rig with over 120 cameras. They arranged them in a circle and built a system to trigger them at certain frame rates and in a certain sequence.

Each camera was height-adjustable, allowing the viewer’s perspective to follow a path of any shape. An s-curve. A stoop from above. A downward spiral. All in slow motion. Now that’s some commitment to the viewer.

Despite its action-packed disguise, however, The Matrix is a philosophical movie. At the end of the day, it explores fundamental issues of technology, culture, society, and religion. It’s not easy to digest. It takes a while to sink in. And every element of the film somehow connects to these themes.

Bullet time is no exception. There are two lessons from this cinematographic innovation that transcend great filmmaking and instead instruct us on — I think — how to live a great life.

1. If you want to live deeper, you have to slow down

Bullet time is the movie-equivalent of stopping your walk, looking around, and embracing the moment. Where are you right now? What is it like?

In order to experience something, you have to be there. Not just physically, but mentally too. You have to allow your senses to take in the scene. Not only parts of it. Everything.

Like the creation of a bullet time scene, that takes time. As John Gaeta, the Visual Effects Supervisor of the film, said: “It takes some pretty heavy thinking to get it together.” For some final results, they had to shoot the same scene dozens of times and then blend together individual cuts, as well as interpolate and digitally extend what you ultimately see on the screen.

Taking time to ‘be there’ in your life, to really experience what’s going on around you, is also a matter of effort and intent, but it yields the same result the effect does in the movie: you’re more invested in everything that happens.

The only way to be all-in on life is to savor every moment.

You can’t do that when you’re rushing through. You have to slow down. Thankfully, the film technique also provides instructions on how to do that.

2. The way you slow down is by observing

In physics, there is something called the quantum zeno effect. It says that if you continuously measure and observe a system of quantum particles, that system freezes in its state.

As the ancient philosopher Zeno, to whom the effect owes its name, poses in a paradox: If a flying arrow appears to be at rest in any particular instant of its flight, doesn’t that actually makes it motionless? It’s a fascinating question.

The real-life equivalent is staring at a stranger on the far side of the street until they stop and turn around — they felt you looking at them. Maybe you feel it’s hard to get work done or perform a certain task when someone’s watching you. That too is the quantum zeno effect. It’s not necessarily that a system can’t change while you’re watching it — it’s just harder for it to do so.

A corollary of all this is that the more time we spend seeing, noticing, examining the world and its events, the more alive we’ll feel.

The more we observe what goes on around us, the slower time passes.

With bullet time, it took 120 cameras taking thousands of pictures to film a scene that ultimately happened in seconds. Only by greatly increasing the number and perspectives of the things they captured could the producers make the scene feel slower to the viewer.

In our lives, intentional observation leads to a similar outcome: we get more out of our time.

The Matrix sends countless messages and will be the subject of analyses for decades to come. But its most universal one, transmitted both through its plot and the way the film itself came together, is that everything has something beneath its surface.

With bullet time, John Gaeta knew it would change how movies are made:

“It’s all baby steps towards something much larger that won’t be commonplace really for a few years, but there are people around the world scratching their heads about a new way to photograph things. It’ll be as revolutionary as when cameras came off sticks and went to a crane, when they came off cranes and went to steadicams. We’re talking about cameras that are now broken from the subject matter, that are virtual. So that’s the next phase.”

I don’t know what exactly lies beneath the surface of your life, but I know there’s an ocean of emotion, experience, and insight, waiting to be explored.

In order to do so, to find something, to reveal the truth, we must go deeper. Descending to these depths takes time and can only be accomplished through intent and careful observation. But if we take responsibility for those tasks, we can expect to live true to ourselves, to really enjoy our time, and to be fully engaged in life.

So go ahead. Hit the button. Trigger bullet time.

If you let us know what you find, you might even cause a revolution.

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How You See Yourself Will Determine How the World Sees You

Nik

I have been following Casey Neistat for almost ten years. He’s one of my favorite humans.

What few people know is that even before he started on Youtube, he was already a successful filmmaker. He and his brother sold a show to HBO for $2 million the year he opened his channel. He’d been nominated for a Daytime Emmy and had received lots of praise for his short films — films like iPod’s Dirty Secret, which pushed Apple, yes, Apple, into offering a battery replacement program and extended warranties for iPod’s that showed poor battery life.

If you’ve been following him long enough, none of this will come as a surprise. Because if one thing becomes evident from observing Casey, it’s that he’s a hustler. Always has been, always will be. He sets goals, works hard, achieves them, and then sets bigger goals. That’s who he is. He talks about it often.

Given his hardcore work ethic, soon, some of his first Youtube videos went viral. There was his analysis of Chatroulette, the one about $2 bills, and, of course, Make It Count for Nike, which reached three million views in its first week alone — in 2012.

Until 2015, Casey continued making hits like these on the regular. However, after five years and about 100 such videos, Casey had “just” 500,000 subscribers. That’s a lot, but considering how much Youtube itself grew in that time, Casey’s one hundred million views, and that even his Twitter following was half as large, that’s not what you’d expect.

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What’s the Point of Art?

Nik

In 2001, contemporary artist Damien Hirst went to the opening of his new exhibition in London. Standing in the rubble of the afterparty, he felt inspired — and turned it into an impromptu art installation.

The next morning, the janitor was the first person in the building. Sadly, he didn’t share Hirst’s sense of imagination — and chucked his assortment of ashtrays, coffee cups, and beer bottles right into the trash. Oops.

Hirst thought it was hilarious. The gallery owner probably didn’t. On the surface, this is just an ironic, funny incident. But if we analyze it, it reveals something much deeper: Damien Hirst truly understands art.

In Germany, we have a saying. We use it when someone’s clinging to an item out of nostalgia, mostly in a good-spirited, but also a slightly mocking way:

“Is this art or can this go?”

It’s a joke, but it’s also meant to help you move on. Not from the nostalgia or the good memories, but from the item. It’s your art exhibition, but we’re the janitor. And we’re here to clean up the building.

I don’t “get” Damien Hirst. I don’t get the animals or the dots or the skulls. And I definitely don’t get the sculptures of giant uteruses. But then again, to this day, I struggle with most contemporary art.

I keep catching myself, asking: What’s the point? And I think that’s the exact right question to ask. But because I keep looking for subjective signs of effort and quality, I’m missing it. Have missed it.

Because now, it’s starting to dawn on me that, maybe, art is not about what you can spot. What you can directly see. Maybe, it’s about what you can feel.

And there’s no rulebook for who feels what with which kind of art.

On April 20, 2018, we lost famous DJ Avicii. Exactly one year later, two cellists released a video. They played his biggest hit to 50,000 people. When I watch that video, I can feel it. And I can see all the people in it feeling it too.

But when you watch it, you may not. That’s fine. In fact, that’s the point.

We all have different feelings at different times. But we feel in different ways too. And that’s why we need different art. Why we need a whole lot of it. Because as different as we are, we all want to feel something.

That something is connectedness. And that’s what art can give us.

Art can take on infinite forms. It could be a nod in the street, a silent wave to the stranger at the bar. Maybe, it’s an email to stressed parents or a coding tutorial on a napkin. And yes, sometimes it’s oil on canvas or a symphony.

But as soon as it connects two people, if for the briefest of moments, it works.

Once it’s done that, it can go. Even if it’s “art.” Because we’ll remember the connection. We can summon it with our senses. As long as we do that, we’re never truly alone. We might be lonely or misunderstood or lack intimacy, but we’ll always be human. Still one of many who are one.

Art is just the reminder. That’s what Damien Hirst knows. And that’s why the janitor can throw away his art.

Sometimes, we can find this reminder in a tribute. Sometimes, we can find it in the trash. But we can always find it in a memory.

The composition may long be swept away, but the connection forever stays. It was never about the installation. It was about us.

And that’s the point of art.

You Don't Need Authority Cover

You Don’t Need Authority – You Just Have to Care

Nik

Remember when you first learned how to draw? Oh, the artworks that you made! You didn’t even need a model or a scene — you made it all up from scratch, using nothing but your imagination.

A dragon looked how you thought a dragon should look. A house was a house in your image. What’s more, nothing had to be perfect, because you could always explain your picture to the audience.

“That’s you, mom!”

“Ah, of course, I see it now!”

The best thing about the pictures we paint as children, however, is that because they’re so self-evidently not about us, we’re happy to give them away. Every one is about something, but also for someone.

As a result, and I’m sure you remember this as well, we would regularly toddle over to our parents and say, “Look! I made this for you.”

“Aww, that’s so cute honey, this’ll go right on the fridge!”

The fridge?! Are you serious?! Ohmygodthankyousomuch!

We may not have shown it, but seeing our work “up there” felt special, didn’t it? Yeah, I definitely remember now. Good times.

What happened to this feeling? Actually, what happened to us?

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We're All Just Diamonds in the Rough Cover

We’re All Just Diamonds in the Rough

Nik

Imagine you’re going to an art gallery. The exhibition is called “Unfinished.”

In the lobby, Schubert’s Symphony №8 of the same name swells in the background. You get your ticket and enter the first room. The strings mount into their first crescendo, and there she is: The Mona Lisa. Well, the Mona.

Because Lisa is still kinda missing. You can see her shape, her arms, and her hair, but only half her face. Only half of that mysterious, enchanting smile. The backdrop isn’t done either. A blurry mix of blue, brown, green, and grey.

In the next room, van Gogh’s Starry Night feels off too. There’s a town and a tree, but where are the stars? Where’s the brightly lit crescent moon? Where are the swirls and the clouds that make you feel dreamy and moved?

A little confused, you continue to make your way through the exhibit. Dalí, Monet, Picasso, they’re all there, but…their paintings aren’t done. Slowly, it dawns on you. This isn’t about up and coming artists. It’s about you.

The sole purpose of the exhibit is to show you: Once upon a time, everything was unfinished. Even the world’s greatest masterpieces. And so are you.

On September 3, 1783, the United States finally signed a peace agreement with Great Britain that recognized American independence.

Contemporary painter Benjamin West aimed to capture the moment on canvas. After he’d sketched the American commissioners, however, the British delegation refused to pose. The painting remains, to this day, unfinished.

Right in the middle of the incomplete action sits none other than Benjamin Franklin. In his biography of the man, Walter Isaacson calls him “the most accomplished American of his age.”

But Franklin himself would never have accepted that kind of praise. After all, ‘accomplished’ pretty much means ‘done,’ and with Ben, that was never quite the case. He treated his life like a perpetual work in progress.

Towards the end of his career, he was elected as the governor of Pennsylvania, a position he held for three years — longer than any other — and well into his 80s. Even in his last year of being alive, he wrote essays about the cruelty of slavery and lead the local society supporting its abolition.

This is a trait he shares with many historic figures we call genius today. Einstein scribbled equations on his deathbed, Schubert completed 50 works in his last year, and Dante barely finished the Divine Comedy before he died.

Some might look at these people and see an addiction to work, delusional grandeur, and exaggerated feelings of self-importance. I see quite the opposite, actually. A laissez-faire approach to life that surrenders to the fact that we’ll never feel like we’re finished. Because there’s always more to do.

At just 20 years old, Franklin wrote down 13 virtues he committed to keep practicing throughout his life. Again, what might seem like strict rules at first turn out to be rough guidelines. In his autobiography, Franklin noted that he focused on just one value each week, leaving the others up to chance, and admitted to failing many times.

But he wholeheartedly believed the mere attempt of following them made him a better, happier, more successful person. What a forgiving approach to self-improvement.

He also penned the following quote, recognizing what a tough job it was:

“There are three things extremely hard: steel, a diamond, and to know one’s self.”

When a diamond emerges from the earth, it looks bland at best and is impossible to recognize at worst. Without the long refining process — the cutting, the shaping, the polishing — no one would want to buy one. It may have been created under pressure, but now it needs a softer treatment.

I think our lives are the same. We’re all just diamonds in the rough.

The hardest part of being human is to be born in the first place. That’s where we need the pressure. That’s where we defy the incomprehensible odds.

But now that we’re here, applying more of it won’t help. It’s time to stop beating ourselves up. No matter what we do, we’ll always remain a work in progress. We’ll always be ‘unfinished.’ But we’re still diamonds.

Once we let go of negative self-talk and accept this, we can focus on what we really need: Refinement. Incremental progress. Polish.

Polish is sticking to your values in the chaos of everyday life. It’s letting go of the big picture to take the next stroke of the brush. Polish is rolling up your sleeves and saying: “What good can I do today?” It always feels small in the moment, but in hindsight, you’ll see it’s what makes your life shine.

Most of all, when we accept our roughness, we’ll learn to enjoy life regardless. Because if you never arrive, celebrating the journey is the only way.

I wish we could visit the houses of history’s greatest artists. The Da Vincis and Dantes and Franklins. If we rummaged around in their attics, I bet we’d find tons of partial works. What’s true for all of them is that, somewhere along the line, they figured out how to live with that burden. How to go on despite never being finished. At least some of them enjoyed what they did anyway.

I also wish we could ask them to show their drafts in an exhibition. Because knowing all of this, first they would laugh, and then they would agree.